peat o’neil

Travel * Think * Create

Posts Tagged ‘creative energy

My Books

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Book CoverTravel Writing by L Peat O'Neil

Book Cover
Travel Writing by L Peat O’Neil

E-Books are just right for travel -lightweight, nearly infinite, a library in your hand.

If you plan to buy books, try my web-store, Double00Books!  Use the Search function to find any Amazon title.

Pyrenees Pilgrimage Cover The Way

Pyrenees Pilgrimage, my recent book about walking across France alone, is also for sale in Kindle format on Amazon.  

Prefer a paperback edition?  Pyrenees Pilgrimage on walking across France alone is ready to read, available on Amazon.

Recent interview on my Travel Writing experiences on Money for Travel.com  with Canadian inspirational speaker John Beede.

Get started in travel writing with Travel Writing: See the World, Sell the Story.  Signed copies available from the author on Half.com

Wish You Were Here article in Writer’s Digest Magazine May/June, 2011 on travel writing tips and tricks.Travel Writing pb edition cover

A few copies of Travel Writing : A Guide to Research, Writing and Selling are available online.

You are welcome to visit and subscribe to my websites and  blogs —   AdventureTravelWriter.org  *   FranceFootsteps

NoWhiteFood   *    MexicoEducation  *   OpenGrave    *   WorldReader   *   PyreneesPilgrimage

*   Writing Wild NatureWriting

 

Interviews + Publicity About L Peat O’Neil
 

Sequoyah :: Cherokee Genius

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Portrait of Sequoyah courtesy Wikipedia.

Sequoyah was a Cherokee silversmith who created an alphabet and syllabary for the Cherokee nation.  Noticing the effectiveness of the “talking leaf” (pages of writing) used by the pale skins, he divined that his people needed a similar written system to communicate.  During twelve years of labor and study he completed a syllabary of 85 symbols representing the sounds in Cherokee spoken language.

Sequoyah’s achievement is all the more remarkable in that he did not know any written language — was illiterate — when he embarked on this project.  The syllabary that Sequoyah developed enabled the Indian nation to attain literacy in their spoken language.

The Sequoyah League in California was founded to  improve conditions for First Peoples.

Further information:

*Foreman, Grant, ”Sequoyah”, University of Oklahoma Press, Norman,OK, 1938.

*Biography/Early Life of Sequoyah  – http://www.georgiahistory.com/containers/1146

*Chronicles of Sequoyah – http://digital.library.okstate.edu/chronicles/v008/v008p149.html

* Wikipedia Biography of Sequoyah – http://en.wikipedia.org/wiki/Sequoyah

Written by patwa

06/12/2012 at 10:36 pm

Alien Weeds

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Patterson Clark shared his harvesting and art making processes at the Annual Meeting of the Audubon Naturalist Society last week at Woodend Sanctuary in Chevy Chase, Maryland.

I admire his dedication and inventiveness.  Take a look at his brilliant art made of weed pulp paper and essence of weed ink, plus a ferocious amount of creative energy.

In my own quest to help native plants, I  usually pull Lonicera japonica out of the trees or bushes it is choking and weave  the vines into baskets.

Lonicera japonica aka honeysuckle.

More information:

Urban Jungle column in Washington Post

Invasive  Plant Species in the Mid-Atlantic – National Park Service

Written by patwa

01/11/2012 at 10:53 pm

Magician : Attention

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During a totally unrelated search, I came across my  short article about Charles Green III, a slight of hand magician who I interviewed for a piece that ran in the  Washington Post Magazine a few years ago in 1993.

Part of the article appears in this High Beam abstract  which collects a fee from readers.  As you may know, free lance writers do not receive a portion of the fees collected by content databases.  Oh well, that’s the “free” part of  free-lancing.

So, where is Charles Green III today, I wondered. Turns out he has gone global and speaks about improving presentation skills. A magician of presentation!

I like his tips for delivering a strong audience-engaging presentation.  Anyone who has waited while attendants fuss with laptops, remote gadgets and projectors before a briefing, lecture, panel discussion or press conference knows that if the equipment can fail, it will.  Even if you do practice and test beforehand.

Read more about Improving Presentations.

The master of magic is Ricky Jay, who is a fantastic author and historian.  His book, Learned Pigs and Fireproof Women explains much of the American fascination with flashy teeth, slick hair, money conjurers and religion.

Written by patwa

01/08/2012 at 1:58 pm

Japanese Calligraphy :: National Geographic Society

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National Geographic Society

1145 17th St. NW, Washington DC

Workshop on Calligraphy

July 8, 2012, 1 to 3 pm

The workshop opened with a discussion and projected slides that explained the differences between Western Hemisphere and Eastern Hemisphere calligraphy and writing. The way language itself is represented by these different geographic areas reflects their approaches to writing down the concepts or things expressed.

The Western Hemisphere relies on alphabets that are combined in various ways to express words that represent concepts or objects.  The Eastern Hemisphere, at least in China, Japan, Korea and other areas where Chinese culture influenced social evolution, relies on characters or symbols to represent concepts and things, often these characters are based on pictographs.  For example, the character for “mountain” looks like E turned on its spine, with the three upward spikes representing mountain peaks.

Chinese characters are called Kangi and came to Japan in the 3rd century C.E.  In Japan, these characters have been simplified visually and organized structurally to match the phonetic letters or combinations used in Japanese spoken language.  This occurred in about the 8th century C.E. and the Japanese call their characters Kana.

The function of calligraphy is also different in the two hemispheres.  In the West, the emphasis is on hand-lettering for inscriptions, decorative scrolls and ceremonial documents or occasions.  In the East the design of the word and the spirit of the word or character are considered more important when it is expressed in writing.

Training differs too:  In the West, penmanship is on the decline.  In the East, school children practice writing characters all through their primary education and scholars practice calligraphy as a zen mental relaxation exercise.

The principal styles of calligraphy in the East are: tensho, the seal script used for official purposes; the reisho script for clerical work; the kaisho for regular use; the gyosho which is semi-cursive; and the sosho which is cursive.  There is also a running style which is a very fast cursive script.  The cursive calligraphy is nearly unreadable and mostly serves as artistic decoration or design on paper.

The Tools used in Eastern calligraphy are called the “Four Treasures” and are:  natural hair brushes set in bamboo “stems”, mulberry paper, ink stick and ink stone. Mulberry paper is quite thin and until a certain level of skill is developed, students should use newsprint to practice writing ink calligraphy.  Ink sticks are made from soot remaining from burned wood or coal.  The ink stone is a shaped stone on which ink and water are mixed for the calligrapher’s use.

Our workshop assignment is to practice the characters that express the Seven Virtues of the Samuri:  Loyalty, Honor, Honesty, Respect, Benevolence, Courage, and Rectitude.  We will also practice the character for Forever which includes all the various brush directions and line weights that a calligrapher needs to learn.  The workshop leader explains the development and brush strokes for each of these characters.

While Eastern Hemisphere calligraphy is usually written from top to bottom, right to left, accommodations have been made for novice calligraphers from the Western tradition and we may write our characters left to right.

Seated at long tables covered with plastic, we each receive a little ink in a plastic dish, a natural hair brush in a bamboo “stick” and several sheets of newsprint paper and a mulberry paper with grid markings to help us properly align the character brush strokes.  We also receive a very helpful model of the characters that represent the Seven Virtues of the Samuri with the strokes marked in numerical order for correct duplication.

We watched Ms. Lok demonstrate the proper way to hold a brush and approach the paper.  She demonstrated writing each of the eight characters we would be practicing.

Then, for the next 45 minutes, the room was silent while adults and children, parents and their kids, and several single adults practiced writing Kana and learned the character virtues of a Samuri.  The writing was achieved by paying attention to the meaning built into the brush strokes that become characters representing the virtues.

As part of my year-long Mandarin language training program in 2007-2008, I had to write Chinese characters every day, but we were using pens or pencils for this activity on gridded paper, which is very different from freehand brush calligraphy.  While I have studied Italic calligraphy and am familiar with brush work from my art training and practice, I had not approached Eastern calligraphy before.  Therefore, I was a near-novice, just like everyone else in the class.  It was gratifying to see that nearly everyone managed to approach the calligraphy and focus on the spirit of the characters while also following the guidelines shown for the order of the brush strokes.

The workshop leader Ms. Lok, and her assistant (her son), walked around and helped anyone who needed specific guidance. The workshop offered special insight into the language and visual representation of Japanese and its mother language, Chinese.   The workshop was interesting, completely engaging and an appropriate length for adults or children.  The children in the audience were attentive and well behaved. A workshop aimed just at children might have less background and more practice. Some of the adults assisted each other and Ms. Lok spent time with each participant demonstrating the finer points of brush control. An excellent experience by all parameters.

Written by patwa

09/07/2012 at 1:20 pm

Travel Writing at Hill Center

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Hill Center near Eastern Market on Capitol Hill in Washington, DC is sponsoring a   Travel Writing and Blogging class July 24, 2012, 6 to 9 pm.    Register now for this creative adventure.

Travel stickers when the going was great!

Hill Center partners with The Writer’s Center  in Bethesda, Maryland to recruit instructors for Hill Center’s writing classes.

Written by patwa

06/07/2012 at 4:49 pm

Posted in Travel, Writing

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The Eye Has to Travel

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At Silver Docs a few days ago, during the Documentary Film Festival at AFI in Silver Spring, I swooned over this film DV:The Eye Has to Travel about Diana Vreeland.  She was the editrix-empress of Vogue, long before the Devil Wears Prada.  The director of the documentary answered questions after the screening and revealed she is married to one of Vreeland’s grandchildren the access to contacts and family archives was fluid.  Said the film project grew out of a book she was already working on.  The images are fab — wry, witty commentary on the 1960s and 70s.

Written by patwa

29/06/2012 at 10:35 pm

Andrew McDowell

An Author of Many Parts

RED ROAD PRESS

On the Red Road in South Puna, Hawai'i

m.lever

life. as i see it.

Interning in Milan

62 Days....counting slow

Mail Artists Index

Biographies, works and links of representative Mail Artists. - Biografien, Arbeiten und Links zu typischen Mail Art Künstlern.

Nellie Bly in the Sky

Celebrating the 125th anniversary of Nellie Bly's historic voyage around the world in 72 days.

The Fox Trails

Exploring Nature and Society

Iconic Photos

Famous, Infamous and Iconic Photos

Travel * Think * Create

No White Food

Add Life::Eat Color

Travel * Think * Create